"Sarah Charles' Belinda is sublime in her high vocal range and the brightness of her articulation. One can hear what the Baroque repertoire demands in terms of vocal purity and clarity.

ResMusica, Alain Attyasse

"The young Sarah Charles performs the role of Belinda with the brilliance of a light voice, like a nightingale, with a vibrato perfectly controlled, as well as all the trills and ornamentations required by this music. Her diction is pure and precise, her timbre warm, and the singer seems made for the Baroque repertoire."

Olyrix, Violette Renié Dubar

"Light that also brings forth the Belinda of Sarah Charles, a gem of pure musicality."

Diapason, Emmanuel Dupuy

"Sarah Charles, a great discovery of the evening, is truly impressive: she displays an agile, warm, precise, and controlled timbre, delivering a perfectly fitting interpretation."

Classykeo, Lilah Immerechts

"Sarah Charles (Belinda) finds her perfect place alongside this golden-voiced Dido, thanks to her fruity voice with a bright high register."

ForumOpera, Yannick Boussaert

"Sarah Charles' agile and flexible Belinda is adorned with a vibrato of remarkable beauty."

Opera Online, Thibault Vicq

"Sarah Charles is Monique, aka Ninon, Viviane's so-called cousin, the emancipated organizer of the evening. From her first aria ("Un' p'tite poule"), her well-timbred voice manages to be both sharp and fleshy, like a not-so-shy maiden."

ForumOpera, Yvan Beuvard

Ondes sensibles

Interview by Frederic Hutman

Le Figaro

Thierry Hillériteau

September 2024

"The voice of Spring, the soprano, tangy, agile, very brilliant, and with a delightful clarity, is that of the Parisian Sarah Charles. She expresses all the graces and seductions of the springtime nature, evoking the idyllic harmony between enchanted woods and thickets, and languid, love-struck shepherds, all the more curious and awakened with the return of the young Flora – the goddess of spring. A true nightingale, both intoxicated and incandescent, the singer captivates in the 7 sequences of Spring, the first season of a cycle that promises to be very appealing. Sarah Charles embodies all the exquisite elegance of naiads, languid shepherdesses, and dryads... which her precise and smooth singing evokes with refinement."

CLASSIQUE NEWS, Alexandre Pham

"A member of the Royal Opera Academy, the young French soprano Sarah Charles is the revelation of the evening, portraying a radiant, inventive Elmira, excellent in the ornamentation of the reprises, and dramatically fierce."

CLASSIQUE NEWS, Emmanuel Andrieu

The Four Seasons

Boismortier (Spring)

Disque sorti en Février 2025

Sosarme, Ré di Media

Handel (Elmira)

Salon d'Hercule, Château de Versailles

With the Orchestra of the Royal Opera of Versailles

Dido and Aeneas

Purcell (Belinda)

Royal Opera of Versailles

Capitole of Toulouse

Un soir de Réveillon
Moretti (Monique)
Les Brigands Company
Saint-Céré Festival, August 2022

Interviews

Diapason

Benoit Fauchet

March 2025 N°742